Cuma mau sharing Video terbaru moonshine, beberapa waktu lalu tepatnya 8 bulan kurang lebih kemarin moonshine membuat video musik live. Ingat bukan video clip yang di slot sama musik audio yg sudah di record sendiri di studio recording. Nah acara ini di selenggarakan atau kita kemas mengambil tempat di sebuah Kedai, semacam Cafe di jalan semampir surabaya yang bernama Kedai Semampir.
Sebenarnya moonshine tidak tertarik dengan pembuatan video clip ini yang awalnya anak2 moonshine atau Last mi at tones record lagi ada proyekan yg berhubungan dengan audio visual untuk mencoba gear recording live track dengan visualisasi untuk membuat sebuah video dan audio yang bagus untuk bahan publik sehingga bisa menampilkan objek sebaik mungkin di bidang musik.
Awalnya band yang kita pilih bukan moonshine, melainkan adalah Los Javanian, Band rocksteady dari ibu kota aka jakarta dan Delgado band bergenre Early Reggae dari Kota Solo jawa tengah. Seiring berjalannya waktu kedua band tersebut gagal kita aplikasikan dalam pembuatan video tersebut dengan alasan yang tidak bisa saya katakan disini.
Saya menginginkan mereka untuk di muat dalam kegiatan yang di selenggarakan last mi at tones record karena bagiku mereka itu teman dekat sudah seperti keluarga sendiri dan di tambah lagi KARYA mereka itu lohhhhh... awesomeeeee sekaliiiiiii !!! arrrggghhhhh.... Huh
Dan akhirnya daripada tidak jalan kita menggunakan Moonshine sebagai korban imajinasi kami, ini di ciptakan buat surabaya karena saya berfikir di surabaya punya banyak sekali band2 bagus akan tetapi karena dokumentasi yang kurang tepat jadi nilainya jatuh. Oleh karena itu kami/Last mi at tones record hadir hohohohoho.....
Monggo.... Program belajar kami di tengok sejenak... kalau masih ada kekurangan itu pasti.... agar ini semua bisa terus menjadi lebih baik maka kami tetap membutuhkan kalian untuk mendukung terus perjuangan kami yang bersifat positif untuk membangun.
"Enjoy Yourself" is a popular song published in 1949, with music written by Carl Sigman and lyrics by Herb Magidson.
The most popular version of the song, recorded by Guy Lombardo and His Royal Canadians, was made on November 27 (some sources give November 28), 1949. The recording was released by Decca Records as catalog number 24825. The record first reached the Billboard charts on January 13, 1950 and lasted 19 weeks on the chart, peaking at #10.
Another recording, by Doris Day, was made on January 13, 1950 and released by Columbia Records as catalog number 38709. Tommy Dorsey and his orchestra made a recording on February 2, 1949 which was released by RCA Victor Records as catalog number 20-3375.
In 1963 Prince Buster recorded a Ska version which was released by Blue Beat records as a B-Side.
Sumber : Wikipedia
Terima kasih buat Teman yang sudah Membantu, panitia Penyelenggara dan lain2 Support buat JANJOS #1!!!
Terima kasih lagi buat Yang Sudah Ikut Bergabung bernyanyi di atas panggung bersama kami :
@Hm_harmawansyah (Heavy Monster) @RudeMartBoby (Artificial Life) @DevotchkaRizthie (Ex - PitSkankin)
Live Perfomance In Surabaya, East java, Indonesia.
Minggu, 9 Juni 2013
Apakah kalian tahu kesan pertama saya melihat live dia secara langsung? wow… So awesome! i Love your soul!! Saya suka Part-part Musik yang mereka bawakan. Saya Juga tertarik dengan cerita setiap Lagu yang dia Lukiskan dalam kata-kata kedalam bentuk Musik. Begitu Juga dengan Buku-buku yang bercerita tentang Teman-teman-nya.
Wanita ini Sungguh menarik Perhatian saya.
Sarasvati / Risa Saraswati - Fighting Club
We are happy family
We don't think to equally
Na na na na na na
Na na na na na na
Im the one who win the bread
Youre all eating from my plate
Im living in an orphanage
You're living in Cambridge
You adored me and adopted me
Now your divorcing me
Im the one who win the bread
You're all eating from my plate
I wont search the reason why...you blamed me... uuuh
I don't see why I should feel..an sympathy....uuuh
Don't send any flowers for me...cause im gloomy...uuuh
So this is the end of our journey...if theres any...uuuh
Akhirnya saya bisa ada waktu untuk menuliskan apa yang saya ingin bagikan kepada teman-teman sekalian. Hari ini saya akan berbagi sebuah bentuk karya seni musik.
sedikit penjelasan tentang segi seni, menurut saya seni itu adalah sebuah ide dari akal lalu di tuangkan keluar dari dalam diri, dan bentuk di louar diri itu yang disebut sebagai karya, baik itu sebuah seni tari, seni lukis, seni rupa, seni musik dan seni-seni lainnya.
entah darimana ujungnya, saya selalu berfikir, apa yang di olah dengan akal itu seperti membuang bentuk jiwa untuk di lepaskan dalam bentuk lain akan tetapi tidak menghilangkan karakter bentuk tersebut yang awalnya dari dalam diri.
apa yang terjadi di luar diri adalah apa yang sesungguhnya terjadi di dalam diri. Bentuk tulisan, barang dan attitude. Termasuk pembentukan kontak fisik di luar diri(cara berpakian dll). well, itu semua kukatakan adalah karya seni.
Pernah ada yang bilang bahwa karya seni musik akan di sukai tergantung "selera", JIKA SAYA TIDAK SUKA SAMA KANGEN BAND bukan apa-apa, atau karena jijik dan sebagainya. apa iya, mereka itu sedang bermain musik?? iya, mereka sedang bermain musik juga kok, akan tetapi musik yang seperti apa dulu toh. Kenapa lebih banyak yang suka musik KANGEN BAND, ketimbang musiknya frank sinatra or louis amstrong???(mungkin untuk wilayah indonesia saja).
Saya pernah beranggapan bahwa menyimak musik itu atau sampai menggilai musik tersebut harus kembali ke dasarnya, apa musik itu!!?? Bukan menyukai musik dengan melihat berapa banyak musik itu sering muncul di televisi, radio dan koran. Yang seperti itu yang akhirnya musik bisa di bilang sesuai selera masing-masing walaupun musisi tersebut tidak bisa benar-benar memainkan musik, atau mengerti benar apa musik itu.
ahkkk... capek ngbrol masalah itu, carilah dasar tentang seni terutama tentang musik sebelum membuat karya musik dan menyukai karya musik tersebut.
ini adalah musik yang sering saya dengar, karena saya merasa musik mereka bagus, sesuai harapan dan tidak jauh dari seni bermusik. DAN SEPERTI INI YANG SAYA KATAKAN BERMUSIK YANG BENERAN. :D hihihihihihihihihi.....
cekidot......
1. Duke Ellington
Edward Kennedy Ellington was born on April 29, 1899 to James Edward
Ellington and Daisy Kennedy Ellington. Daisy and J.E. were both
pianists. She primarily played parlor songs and he operatic airs. They lived with his maternal grandparents at 2129 Ida Place (now Ward Place), NW in the West End neighborhood of Washington, D.C. His father, James Edward Ellington, was born in Lincolnton, North Carolina on April 15, 1879 and moved to Washington, D.C. in 1886 with his parents. Daisy Kennedy was born in Washington, D.C. on January 4, 1879, and was the daughter of a former American slave. James Ellington made blueprints for the United States Navy. He also worked as a butler for Dr. Middleton F. Cuthbert, a prominent white physician, and occasionally worked as a White House caterer.
At the age of seven Ellington began taking piano lessons from Marietta Clinkscales.
Daisy surrounded her son with dignified women to reinforce his manners
and teach him to live elegantly. Ellington’s childhood friends noticed
that "his casual, offhand manner, his easy grace, and his dapper dress
gave him the bearing of a young nobleman",
and began calling him Duke. Ellington credited his "chum" Edgar
McEntree for the nickname. "I think he felt that in order for me to be
eligible for his constant companionship, I should have a title. So he
called me Duke."
Though Ellington took piano lessons, he was more interested in baseball. "President Roosevelt (Teddy) would come by on his horse sometimes, and stop and watch us play," he recalled. Ellington went to Armstrong Technical High School in Washington, D.C. He got his first job selling peanuts at Washington Senators baseball games.
In the summer of 1914, while working as a soda jerk
at the Poodle Dog Cafe, he wrote his first composition, "Soda Fountain
Rag" (also known as the "Poodle Dog Rag"). Ellington created "Soda
Fountain Rag" by ear, because he had not yet learned to read and write
music. "I would play the 'Soda Fountain Rag' as a one-step, two-step,
waltz, tango, and fox trot," Ellington recalled. "Listeners never knew
it was the same piece. I was established as having my own repertoire." In his autobiography, Music is my Mistress
(1973), Ellington said he missed more lessons than he attended, feeling
at the time that playing the piano was not his talent. Ellington
started sneaking into Frank Holiday's Poolroom at the age of fourteen.
Hearing the poolroom pianists play ignited Ellington's love for the
instrument and he began to take his piano studies seriously. Among the
many piano players he listened to were Doc Perry, Lester Dishman, Louis
Brown, Turner Layton, Gertie Wells, Clarence Bowser, Sticky Mack, Blind Johnny, Cliff Jackson, Claude Hopkins, Phil Wurd, Caroline Thornton, Luckey Roberts, Eubie Blake, Joe Rochester, and Harvey Brooks.[16]
Ellington began listening to, watching, and imitating ragtime pianists, not only in Washington, D.C., but in Philadelphia and Atlantic City, where he vacationed with his mother during the summer months.[15]Dunbar High School
music teacher Henry Lee Grant gave him private lessons in harmony. With
the additional guidance of Washington pianist and band leader Oliver
"Doc" Perry, Ellington learned to read sheet music, project a professional style, and improve his technique. Ellington was also inspired by his first encounters with stride pianistsJames P. Johnson and Luckey Roberts. Later in New York he took advice from Will Marion Cook, Fats Waller, and Sidney Bechet.
Ellington started to play gigs in cafés and clubs in and around
Washington, D.C. and his attachment grew to be so strong that he turned
down an art scholarship to the Pratt Institute
in Brooklyn in 1916. Three months before graduating he dropped out of
Armstrong Manual Training School, where he was studying commercial art.
From 1917 through 1919, Ellington launched his musical career,
painting commercial signs by day and playing piano by night. Through
his day job, Duke's entrepreneurial side came out: when a customer
would ask him to make a sign for a dance or party, he would ask them if
they had musical entertainment; if not, Ellington would ask if he could
play for them. He also had a messenger job with the U.S. Navy and State
Departments. Ellington moved out of his parents' home and bought his
own as he became a successful pianist. At first, he played in other
ensembles, and in late 1917 formed his first group, "The Duke’s
Serenaders" ("Colored Syncopators", his telephone directory advertising
proclaimed).
He was not only a member, but also the booking agent. His first play
date was at the True Reformer's Hall, where he took home 75 cents.
Ellington played throughout the Washington, D.C. area and into
Virginia for private society balls and embassy parties. The band
included Otto Hardwick, who switched from bass to saxophone; Arthur Whetsol on trumpet; Elmer Snowden on banjo; and Sonny Greer
on drums. The band thrived, performing for both African-American and
white audiences, a rarity during the racially divided times. (wikipedia).
2. The Skatalites
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone". They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period. They reformed in 1983 and have played together ever since.
The founders of the Skatalites were Tommy McCook (died 1998), Rolando Alphonso (died 1998), Lloyd Brevett, Lloyd Knibb (died 2011), Lester Sterling, Don Drummond (died 1969), Jah Jerry Haynes (died 2007), Jackie Mittoo (died 1990), Johnny Moore (died 2008) and Jackie Opel
(died 1970). These ten musicians started to play together from 1955,
when Kingston's recording studios started to develop. Tommy McCook was
the first member of the band to record, though not for commercial
release: he played with Don Hitchman's Group in 1953. Archie Lindo
asked Hitchman to play few tunes for his pioneer radio station, "ZQI",
on their new equipment. Soon after that, sound system pioneer Stanley
Motta began to operate his studio, where he recorded calypso and mento that were released on 78's. Rolando Alphonso was one of the first to record with him, probably in 1954.
Though McCook was the first in the band to record, he did not
participate in the recording sessions with the other nine musicians. He
left Jamaica in 1954 for a jazz gig at the Zanzibar Club in Nassau, Bahamas. He returned to Jamaica in June 1962, and began playing regular jazz sessions around Kingston.
Coxsone Dodd searched for jazz players around Kingston and was
impressed by McCook's playing. Tommy McCook heard some ska, but
initially resisted Coxsone Dodd's offers to record and to lead a studio
group, because he was a committed jazzman. In 1962 Dodd released I Cover The Waterfront (Port-O-Jam) with Roland Alphonso and Don Drummond, who did the solo and brass sections. In 1963 he released Jazz Jamaica From the Workshop (Port-O-Jam/Studio One), on which McCook played for the first time since returning to Jamaica. Don Drummond has two tunes on Jazz Jamaica and McCook has one, "The Answer".
In spring 1964, The Skatalites recorded their first LPSka Authentic at Studio One in Kingston and toured Jamaica as the creators of ska. Their producers were Coxsone Dodd, Duke Reid, Prince Buster, Vincent "King" Edwards, Justin "Phillip" Yap, Leslie Kong, Lindon Pottinger, Sonia Pottinger and Vincent "Randy" Chin. The Skatalites led sessions with top artists and worked with young talents such as Delroy Wilson, Desmond Dekker, The Wailers, Lee Perry, etc.
They played their first show on 27 June at the Hi-Hat club, on Water
Lane in Rae Town, which was owned and operated by Orville "Billy"
Farnum. Coxsone Dodd helped initially: "At the formation of the band, I
supplied the PA system, microphones and what ever it is. Also the
guitar amplifier and other amplifier. I helped with transportation and
I supplied storage for equipment and instruments. I was a part of
promoting the first gigs and other gigs to get it off the ground,
because I figured more or less, if I am recording the Skatalites, its
good to get them popular out in the streets, yunno?"
In fall 1964, Don Drummond's composition, "Man in the Street",
entered the Top 10 in the UK. Trombonist Drummond had at least 200
tunes to his name by 1965. On 1 January 1965, Don Drummond was jailed
for the murder of his girlfriend, Anita "Marguerita" Mahfood. He was
later convicted and remanded to the Bellevue Asylum.
In August 1965, The Skatalites played their last show. They broke up into two supergroups,
Rolando Alphonso and the Soul Vendors and Tommy McCook and the
Supersonics. In early 1967, Don Drummond's ska adaptation of the theme
to the film The Guns of Navarone entered the Top 40 of the UK Singles Chart. Don Drummond died on 6 May 1969, in the Bellevue Asylum. (wikipedia).
3. TSPO (TOKYO SKA PARADISE ORCHESTRA)
The band’s first release was 1988's eponymous six track EP, released on
vinyl by local independent label Kokusai Records. That record’s
acceptance, coupled with the band’s already notorious live shows, got
them a deal with Epic Records.
At this time the 'classic' lineup of the band included: Asa-Chang
(percussions), Tsuyoshi Kawakami (Bass), Tatsuyuki Aoki (drums), Yuichi
Oki (keyoards), Marc Hayashi (guitar), Tatsuyuki Hiyamuta (alto
sax/agitate man), Gamo (tenor sax), Atsushi Yanaka (baritone sax),
Nargo (trumpet), Masahiko Kitahara (trombone) and Cleanhead Gimura
(vocals). Yuhei Takeuchi (alto sax) was part of the original lineup,
but left in 1990, though he has re-joined the band live on several
occasions.
Skapara's Intro(スカパラ登場?) was released in 1990, and includes their first big hit, Monster Rock.
Within a year, the band was playing Tokyo’s respected Budokan arena in
front of 10,000 screaming fans. After their second album, World Famous(ワールドフェイマス?), original guitarist Marc Hayashi left the band and was replaced by Toru Terashi. Their third album, Pioneers, marked the last recording of the band with founder Asa-Chang, who decided to pursue a solo career. Fantasia was recorded as a 10 piece with no permanent replacement on percussion.
While the band worked on their fifth album, vocalist Cleanhead Gimura lost his ongoing battle with brain cancer and died. Grand Prix
was released in 1995 as a tribute to the singer. This record continued
the band’s progression into a more pop-oriented sound, and it featured
a number of guest musicians and singers. As far as live performances,
Tatsuyuki Hiyamuta essentially became the front-man for the band,
though it should be noted that depending on the specific piece being
played, any of the band's members can be front man or singer.
1996 saw the release of Tokyo Strut(トーキョーストラット?), which toned back the pop stylings of Grand Prix.
This marked the first appearance on record of new percussionist Hajime
Ohmori. During the band’s visit to Thailand, Alto Sax/Agitate Man
Tatsuyuki Hiyamuta was involved a motorcycle accident, suffering damage
to his legs. He missed out on some shows, but after recovery decided to
continue performing, in many cases carrying a cane, or just sitting
down while playing. Shortly thereafter Toru Terashi left the band.
After this album, the band decided to leave Epic Records, as there
was a feeling that the label had not been able to properly convert
their popularity into record sales. They signed with indie label Avex
Trax, who also created an exclusive imprint for Skapara, Justa Record.
The band recruited Rui Sugimura (brother of Cleanhead Gimura) as a
full-time singer. This would become the band’s most prolific period,
with a number of releases, including the Arkestra album, various 12” and 7” records (which included remixes from Arkestra songs as well as completely new tracks), the Hinotama Jive EP, the soundtrack to the video game Incredible Crisis, and several tribute album appearances. The band embarked on an ambitious tour of Japan (documented on the DVD Ska Evangelists on the Run).
Since no official guitarist had been hired yet, they toured with the
two guitarists that worked on the album: Takashi Kato (of Lost Candi)
and 會田茂一 (of El Malo).
During the Arkestra tour, original drummer Tatsuyuki Aoki died in a train accident. He was temporarily replaced by Tatsuya Nakamura (Blankey Jet City and Losalios). At the end of the tour, Kin-Ichi Motegi (ex-Fishmans) also filled in. Rui Sugimura left in mid 1999 as well. Takashi Kato became a permanent member of the band.(wikipedia).
4. Dancing Mood
Dancing Mood es una banda de música de origen argentino. Interpreta melodías clásicas antillanas, principalmente ska, reggae y calipso.
La banda fue formada a principios del siglo XXI por músicos de vasta
trayectoria en la escena argentina provenientes de diversas
agrupaciones musicales Entre sus miembros destacados están Sergio Rotman (saxofón) y Toto Rotblat (percusiones).
Enlaces externos
Biografía en: http://www.rock.com.ar/artistas/dancing-mood Presentaciones en Vivo: http://www.youtube.com/watch?v=z5xY_ST5ZaA
Dancing Mood se formo en Buenos Aires,Argentina,en marzo del 2000 por
iniciativa del trompetista Hugo Lobo.Es una orquesta de 12 musicos
liderada por 7 instrumetos de vientos,con colaboraciones puntuales y
esporádicas de otros tantos en sus directos y que con temas clásicos
del reggae junto con otros estilos,seadapta en forma instrumetal al ska
jamaiquino.La banda cuenta con una trompeta,dos saxos,dos trombones,
armonica, flauta traversa, dándole un toque originalidad que se
complementa con dos guitarras,teclado,bateria y
contrabajo;interpretando un sonido sinfónico;que cuenta con una seccion
de cuerdas en diversos temas de los discos e invitados vocales
como:Fidel Nadal(Todos Tus Muertos,Lumumba,Mano Negra),Mimi
Acevedo(Mimi Maura),Guillermo Bonetto(Los Cafres),Mariano
Castro(Mensajeros),Pety(Riddim),Karen Fleitas(Actitud Maria Marta). El
nombre de la banda proviene de un tema del cantate Delroy Willson y
significa algo asi como “de humor para bailar”. maaf yaaaa,,, gag ada yang bahasa inggris T.T (wikipedia).
seperti ini yang ku sebut berkarya di jalur seni musik. Beda banget kan sama yang namanya KANGEN BAND, hehehe. sebenarnya sih masih banyak lainnya, ada kitaro, byork, mozzart dll deh....
oke, sekian dulu dan terimah kasih. saya mau makan siang dulu, karena sangat lapar diri saya :D. bye-bye ketombeeeee.... ^______________^
